Andbery Academy · Membership

Learn cinematography and filmmaking from a working DP.

Every month: a new lesson, a breakdown of a real project I shot, and a review of your work. Plus a direct line to me in the chat.


  • Inside Courses · LUT pack · Guides
  • Every month New lesson + review
  • Access Direct chat with me
  • Price $297/year · cancel anytime

Preview

Inside the room.

 

The reviews

Your work, on my screen

Send a scene. I put it up, draw over it, and tell you what I'd have done differently on the day. Once a month, every month.

Breaking down a member's shot

12

Reviews a year

One a month, several members' scenes, shot by shot

3

What I look at

Light, composition, the visual storytelling

Q&A

In the room

Ask between reviews — post a frame, get an answer

The library

The course that started it all — five modules, 24 lessons, and every guide I've written. Already inside, and it's not the whole room.

01

The Cinematographer's Mindset

2 Lessons

Start here

Introduction

The Cinematography Mindset

18 min
02

Sculpting Light

6 Lessons

The Art of Depth: Chiaroscuro

19 min

Atmosphere & Volume

22 min

Motivated Light & Visual Rhythm

20 min

Color Temperature Separation

6 min

The Contrast Handbook

Guide

Practical Breakdown: The Final Look

Assessment
03

Reading Exposure

5 Lessons

Exposure Methodologies

9 min

Precision & Consistency

18 min

The Characteristic Curve — 16mm Color Negative Workflow

26 min

Exposure Stress Test

Assessment

The Exposure Playbook

Guide
04

On Set

5 Lessons

Environmental Integration: Source & Set

25 min

Night Cinematography & Realism

30 min

Subtractive Lighting — Daylight Control

23 min

Working with Darkness, Mixed Light & Natural Light

12 min

3-Step Lighting Setup

Guide
05

World Building

6 Lessons

Visual Translation — Script to Screen

36 min

Less Is More — How Props Shape Your Composition

4 min

3 Color Harmonies That Define Your Scene

6 min

Visual Storytelling

8 min

Previs in Practice — From Photo Reference to Lighting Plan

Guide

From Script to Set — 3 Steps to Your Shooting Plan

Guide
Total 24 lessons · 5 hours · 2 assessments · plus a new lesson every month

Guidebooks

01

Production Design for Filmmakers

Colour, texture and set dressing — how to make a location say something before anyone speaks. Sold on its own for $29.99.

58 pages · PDF
02

3-Step Lighting Setup

The setup I fall back on when there is no time to build one from scratch.

PDF
03

The Exposure Toolkit

False colour, waveforms and where to put skin — the reference I keep open on set.

2026 edition · PDF

The LUT pack

TeelReel — Film LUTs & PowerGrades

Camera-specific conversions, unlocked PowerGrades you can take apart node by node, and the RAW footage to practise on. Sold on its own for $69.

LOG Graded
Log TeelReel LUT
LOG Graded
Log TeelReel LUT

42

Film LUTs

ARRI, RED, Blackmagic, Canon, Sony + Rec 709

3

PowerGrades

DaVinci Resolve, fully unlocked

7

RAW clips

Practice footage from real shoots

20m

Grading breakdown

Real project, start to finish

About

Andrei Beresnev

ANDBERY

Active cinematographer working in ads, TV, and music videos. 13 years behind the camera.

I run this room myself. I write the lessons, I review the work, I answer in the chat. Nothing here comes from theory — it comes off sets I was standing on.

Long-term collaborations with the brands below.

MEMBERS' WORK

Work made by members after going through the library.

Student work 1
Student work 2
Student work 3
Student work 4
Student work 5
Student work 6
Student work 7
Student work 8
Student work 9

WHAT MEMBERS SAY ABOUT THE COURSE AND GUIDES

"Your courses are the only ones that have genuinely helped me to really grasp and understand cinematography as a whole. I'm planning projects to practice what I've learned — so excited."

Jason Sean Turner

Jason Sean Turner

Filmmaker

"It has opened my eyes on how to approach lighting a scene and took my cinematography to the next level."

Hanna M. Issa

Hanna M. Issa

Vienna, Austria

"I am currently using these techniques in commercials and narratives as an aspiring DP. I see the improvement in my work and philosophy. 10/10 recommend."

Jabari Mobley

Jabari Mobley

Aspiring DP

"I implement the things I learned on almost every shoot. It made the experience more fun, less chaotic, and more satisfying."

Grzegorz Hospod

Grzegorz Hospod

Filmmaker

"Paying for this masterclass is one of the best decisions I have made. It helped me gain more confidence and improve my cinematography skills."

Solate Adedoyin

Solate Adedoyin

London, United Kingdom

"One of the very few best cinematography courses online."

Sam Shuolang Liu

Sam Shuolang Liu

Filmmaker

"Admire your work and took a lot from the masterclass. Looking forward to expanding upon that foundation."

Anthony Mormile

Anthony Mormile

Washington DC, United States

"I really enjoyed your masterclass, it has helped me improve my craft."

Matt Sullivan

Matt Sullivan

Ireland

"I'm a freelance DP working since 2009. A very good initiative to speak about courses and our vision. I'm sure it will be so instructive."

Zoubir Benali

Zoubir Benali

Algeria

One more look

This is what's waiting the moment you're in.

The course

The course

The LUT pack

The LUT pack

The guidebooks

The guidebooks

The room

The room

12

New lessons a year

One every month, built from real projects

5h

In the library today

Across 5 modules, 24 lessons

3

Guidebooks

Production design, lighting, exposure

42

LUTs & PowerGrades

The full TeelReel pack with RAW footage

12

Work reviews

One every month — your footage on screen, shot by shot

1

Room, not a comment section

Post a frame, get a straight answer

Join

$297/ year

Billed yearly · renews automatically · 15-day money-back guarantee

JOIN NOW

15-day money-back guarantee

Watched less than 20% of the course and it's not for you? Email me within 15 days of paying and I'll refund you in full. No forms, no arguing.

Frequently asked

What if it's not for me?

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Write to [email protected] within 15 days of paying. If you've watched less than 20% of the course, you get the full $297 back, to the same card, within 10 business days. The 20% is counted by course progress in your account.

When do I get access?

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Straight after payment. The full course, all three guidebooks, the LUT pack and the room — everything is open from the first minute. Nothing drips, nothing waits.

Can I cancel?

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Any time, in one click from your account. No email, no asking. Cancelling stops the next yearly charge — you keep access until the end of the year you've already paid for.

I already bought Modern Cinematography. What happens to my access?

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Nothing changes. I promised lifetime access and that stands — the course stays yours exactly as it was. Membership is a separate thing on top: a new lesson every month, the work reviews, and the room. You don't need to join to keep what you already have.

What actually happens every month?

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One new lesson, and one review session where I take members' work apart shot by shot. You send footage, I record the breakdown and post it — so you can watch it whenever you want, wherever you are. Between them there's the chat: post a frame, ask what's wrong with it, get an answer from me and from people who shoot for a living.

Why can't I just learn this on YouTube?

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YouTube teaches techniques. This teaches a system. On YouTube I answer one question per video — a booklight setup, exposing for skin, building atmosphere. Each one stands alone and none of them connect. What's inside here is the connective tissue: the framework that ties individual techniques into a working method, from reading a script to the final grade. And then there's the part YouTube can't do at all — someone looking at your footage and telling you what's actually wrong with it.

I'm a beginner. Will this be too advanced for me?

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The first module covers the fundamentals to get everyone on the same page. But this isn't a basic course — we move quickly into professional workflows. If you're willing to put in the work, it will save you years of trial and error.

Do I need expensive gear or a cinema camera?

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No. Light behaves the same way whether you shoot on an ARRI Alexa or a mirrorless camera. The focus here is on how to see and shape light, how to tie it to the story, and how to build a workflow you can repeat. The goal is your eye, not your kit.

Are the lessons subtitled?

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Yes — English, Spanish, German, French, Russian, Arabic, Japanese and Chinese.